![]() ![]() Each of Massive’s knobs has one or more Modulation Slots located underneath it, and each modulation source – envelopes, LFOs and the eight macro controls with MIDI learn – has a Modulation Handle that can be dragged and dropped into any of these slots. Each oscillator also features an Intensity control – akin to a low-pass filter – and a control for panning the output between Massive’s two filters. You can choose from 82 wavetable oscillator shapes, ranging from simple waves to more sophisticated vocal effects and metallic noises. Gradually rotate the knob to the right, however, and it turns into a sawtooth. The default wavetable oscillator shape is called Square-Saw I, so when the wavetable position knob is turned hard left, the oscillator emits a square wave. The oscillators are slightly unusual in that you can morph from one waveform to another via a dedicated knob (rather than them being a single, static shape). For the most part, the layout is very straightforward, with the left-hand strip of the GUI being home to the three oscillators and an extra modulation oscillator, as well as the noise and feedback controls. Massive’s main page is reassuringly simple, and most of the commonly used controls are right here ready and waiting for you to start tweaking. In fact, it seems to be an attempt to present the sort of power and flexibility you’ll find in the likes of Absynth and FM7, but with a more accessible interface and an altogether different engine. What’s more, it’s one of the most feature-packed synths we’ve ever encountered. ![]() Massive is a hybrid synth that combines ideas and influences from all over the place. ![]()
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